Friday, December 14, 2012

Secrets of An Award Winning Fine Art Photographer

When I look at the statistic for visits to my blog, I'm sometimes puzzled at the Google searches that lead viewers to my site.  A few days ago, one viewer found me with the search: "fine art photography winners secrets."  It got me to thinking:  I haven't written a blog entry on winning awards, yet I've won my fair share.  Many beginning and mid-career photographers want to win a local, regional, national, or even international award.  Not only is it good for business, it set you apart from the ordinary and shows that other supposed experts recognize your superior abilities or the excellence of your photographic product.  It can also make you feel good for a couple of days.

Mayan Beauty by Tom Bell
You'll notice that a photographer who wins awards keeps winning them.  It's not luck.  It's because they have what it takes to be an award winning photographer. There are several reasons.  While I may not be able to make you an award-winning photographer with this one blog entry, I can offer a few bits of advice that will get you on the way.  Don't skip to the end, but the #1 secret to being a fine art photography winner is there.

Mother and Child by Tom Bell
1.  If you want to win a fine art photography contest, be a fine art photographer.  When I enter a contest, I know I'm putting my work up against the best in the world.  I won't enter if I don't have an image that is blow-away, one that makes an impression on anyone who sees it, including gallery owners and fine art curators.  It's not good enough to have an image of a kid with the most beautiful smile in the world, or one that truly shows the strife of a laborer in a third world country.  It's also not enough to convert it to black and white and add a little vignetting around the edges.  Almost everyone can learn to be competent photographer.  Not everyone has the aesthetic to naturally be one of the world's best fine art photographers.  If everyone had it, you wouldn't be appalled at how much bad and mediocre photography is out there.  This being said, most of us have to work for it; we work very hard to make images that break a threshold of excellence that not everyone else will rise to, simply because they haven't worked hard enough to get there.  Be a fine art photographer.  Don't fall for the neighbor's "Oh, what a great picture of your daughter!  You need to enter that in a contest."  Look at the photo:  is it a beautiful picture of your kid, or is it fine art.  There's a big difference.  If it's a beautiful picture of your kid, it might still be a winner at local contest or one that is looking for a theme, such as Summer Happiness or the Big Smile Photo contest.  Otherwise, print it, frame it, and put it on the mantel for friends and family to enjoy.  They will think you're a fine art photographer even if the judges don't.

Arch of Santa Catalina by Tom Bell

2.  As I said, there is a lot of bad and mediocre photography out there.  There's also plenty of good photography and lots of excellent photography.  Study photography.  Go to web sites with the type of photography you want to do:  abstract, portrait, wildlife, landscape, etc.  Then make sure you have the equipment to do the job you want to take on.  Your $800 kit camera and lens probably won't make you competitive in a wildlife contest where the competitors not only love living in the wild for weeks at a time and risk being eaten by their subjects to get the shot, but also have $30,000 in lenses and camera equipment.  On the other hand, the $800 camera, or a $100 point-and-shoot, might be just fine for street photography or flowers or architecture.  You be the judge.  Look at what the best photographers in the world are doing.  Can you compete with the equipment you have?

Woman of Chichicastenango by Tom Bell


3.  Okay, now you have the camera, lens, tripod, etc.  You also have Photoshop or another program to edit your photos.  Do you have the skill and knowledge you need?  Maybe you have the vision for the most astounding image in the world.  Do you have the skill and means to make it happen?  Do you understand the mechanics of your camera?  Do you really understand composition?  Do you know how to correct levels and how to convert an image to black and white?  Do you know how to make the image come to life?   If not, get books, take classes, download tutorials, join groups, get advice from other photographers, practice, practice, practice...  If you want to win an international photo contest, you may have to become a learning fanatic.

Antigua Garden by Tom Bell

4.  Shoot what you want to shoot.  I've been told that I have an unfair advantage in winning photography awards because I shoot exotic locations and exotic people in remote villages that most people will never be able to visit.  True that I sometimes shoot in exotic locales, and it's certainly not a disadvantage, however, it's not true that that gives me an unfair advantage.  I won a major international award for a photo of my dog that I shot in the hallway of my house as I was coming home from work.  Pick a subject that appeals to you.  If you have the resources, travel to a remote Indian village in Guatemala, or to Antarctica to shoot icebergs.  If you can only get to your backyard, shoot in your backyard.  Learn to see whatever you're shooting as art.

Mr. Watson by Tom Bell

5.  Here it is:  the #1 secret to winning fine art photography competitions - Know that you're one of the best. Know that you will at least make it to a finalist spot against thousands of others.  Know that when you submit to a contest that you will be a winner.  You are now a fine art photographer.  This is not about having a positive attitude, by the way.  It's about knowing yourself and your product.  If your product is good, really good, but not good enough, know it.  Don't waste your time and money on submitting.  Wait until you've refined your skills to break through the threshold of the very best.  Only a few will do it.  When you reach that point, you won't have to tell anyone you're a fine art photographer; they will know it from looking at your work.  When you've truly reached that point, you'll win recognition in any photography competition you enter, maybe first place, maybe third, maybe honorable mention.  But you'll win time and again because you did what it takes to reach that level.  Okay, you say you've reached that level and entered three or four competitions and didn't win anything:  it's now time to reassess.  If you really have the degree of excellence you think you do, a panel of judges from galleries and museums and fine art programs won't miss it, and you will be recognized.  You say they must have missed something.  I'd say it's more likely that you're missing something.  It's not that you're not good.  It's not that your work isn't good.  It's just that you have to reassess, go back and do whatever it takes to be the best.  Recognize it and work even harder.

6.  Here's the #2 secret:  Work even harder!

You can view my website at: www.tombellart.com.


Friday, November 30, 2012

Dubs and the End of the World

Some of you have asked me to combine my last two posts about my friend Dubs McClusky to make it easier to read in one setting.  I've edited it under the title Dubs and the End of the World.  Here it is:

Dubs and the End of the World

My best friend, Dubs McClusky was at the house the other day.  Dubs is really more than a friend: he's a confidant, someone I can trust with my darkest secrets (he thinks a dark secret is one you tell at night); he's someone who will keep refilling his glass with my most expensive single malt whiskey without feeling the need to ask for permission about something so trifling.  I've known Dubs for more than twenty years, and if nothing else he's consistent (especially with my single malt).  Not being a photographer himself, he always tries to say something nice about my work, despite the fact that there's not an artistic bone in his body.

"I love your pictures, but they would look so much better in color.  You know, color pictures are just so much more colorful."

Worshiping the Maximon by Tom Bell.  Copyright 2012.  All rights reserved.  The Maximon embodies Mayan mysticism.  By the way, this one's in color for Dubs.

"It's a matter of preference, Dubs.  Some people really love black and white images."

"I know, but they stopped making movies in black and white because people like 'em in color more."  He poured another glass and looked silently pass me for far too long.

"Something wrong, Dubs?"

"I'm worried, Tom," he lamented.  "They're saying the end of the world's only a month away."  He took a big gulp and stared deeply into his glass. "You know about that Mayan end-of-the-world stuff, don't you?  I mean your wife is from Guatemala and speaks Spanish and stuff."

"Right, Dubs.  I also have some friends who are archaeologists.  They say there's nothing to worry about."

I saw a glimmer of hope in Dubs' eyes.  "You know, I saw a Three Stooges where the guys were archaeologists.  They found Rootin' Tootin's mummy."  He smiled deeply as his thoughts went back to the movie short of long ago.

"That was in black and white, by the way," I noted.

Magic by Tom Bell.  Copyright 2012.  All rights reserved.  

He nodded, as if I had revealed something important, then he was lost again. "The world can't end before Christmas.  What about the presents!  This Mayan stuff is serious business!  By the way, there's just a little left in the bottle; you don't want any do you?"

I picked up the bottle and poured the rest into his glass.

"You should keep this 15 year old Scotch all the time," he noted.  "Its really good."

"I bet."

"But what if it really is the end of the world?  What then!"

"Well, Dubs, I'm really looking forward to it.  If it's really the end of the world, it's the best event a photographer could hope for."

"What do you mean?"  The confusion on his face intensified.

"Can you imagine having something like that to photograph?," I asked.  "Every photographer in the world will be looking for the best angle, that fine art shot that defines the moment!  It's going to be something great!"

"Huh?"

"Mine will be in black and white!"

"But you said those archaeologists say there's nothing to it."  Dubs was almost in tears.

"What do they know?" I said.

"Really?  But.... you said...."

"I know what I said.  But this is it, Dubs.  My wife told me not to tell you.  But this is it..."

His eyes were huge. "Noooo.  You're just playin' with me aren't you."

"Sorry, Dubs."

Silence.  Dropped jaw. Owl eyes.

"Listen, Dubs, if I were you, I'd enjoy it since there's nothing we can do. Why don't you buy a case of this single malt. Make it a couple of cases and you'll get a discount.  Since you won't have to pay it back, use your credit card and buy a  couple of cases of the 18 year old stock.  I can store it and we can drink to the end of the world anytime you want.  We'll show those archaeologists!"

His mouth was still agape.

I wasn't sure if I should slap him slightly, but I decided to speak instead.  "It's okay, Dubs.  I promise that the last photograph I take as the world ends will be of you."

"Okay," he said after a while. He hesitated, "...but would it be okay if you did it in color?"

___

After about a week, I'm still waiting on the cases of 18 year-old stock I thought Dubs might deliver.
I shouldn't have played with his  mind like I did.  But,  I saw it as a way that he might partially reimburse me for some of the many bottles of 15 year-old single malt he's more than helped finish while sitting with me at the table over the years.

Dubs stopped by again just a few minutes ago.  "Hey, let's have a drink," he said.  "I want to ask you some more questions about that Mayan prophesy stuff."

"Okay," I said softly.  "Let's talk.  But I'm out of whiskey.  I just haven't had time to stop by the liquor store."

He stared at me and squinted for a while. "You know, Tom. I don't recall ever stopping by when you didn't have whiskey.  But, right now, I'd drink about anything."  His look was almost deathly.

"Something wrong, Dubs?"

"No, not really. I know your wife knows about this Mayan end-of-world stuff and all.  She has a real pretty voice when she speaks that Spanish.  But maybe she's wrong about it being the end of the world."

"She's never been wrong before, Dubs."

He looked at me seriously.

"Never," I intoned. 

He hesitated.  "Yeah, I know."

"You know, I've got a bottle of 12 year old rum," I offered. "It's one of the most most popular in Guatemala, and it's the Baktun edition."

"Back-toon," he said in an accent that made him sound southern. "Is that something like the rerun of a cartoon?"

"Well, sort of," I offered. "In this case, a Baktun is a Mayan period of time.  We're on the last one.  It ends on December 21.  That's the last day."

"A period of  time?"

"Yeah, it's about 400 years long.

I opened the bottle of rum and poured each of  us  a snifter.

"Hey, this is good," he said.  "A toast to the Back-toon!"

I lifted my glass.  "Yeah, drinking to it only ensures that it's gonna happen.  That's cosmic law."

"Huh..."

"Yeah, the end of the world.  It's okay. We've lived a long time.  It's time for creatures from some other universe to occupy our space!"

"What!"  He downed every drop in his snifter, and I quickly poured him another one.

"Sorry, Dubs," I apologized, "but it's time on this Earth for creatures that will appreciate 18 year-old Scotch, those that are more spiritually developed."

"What... I appreciate 18 year-old spirits.  I appreciate them a lot!"

"I know, Dubs, but I suggested you bring over a couple of cases, especially since it's the end of the world and you won't have to pay the credit card bill.  You  haven't done a thing!"

His eyebrows shot up.  "Why?  So we can toast to the end of the world again and again?"

"Yeah, but you can also toast against the end of the  world."

"Huh..."

"That's right.  That's what the Crystal Skull told my wife."

"The Crystal Skull?..."

I photographed this Crystal Skull in the  Popol Vuh Museum in Guatemala City.  My wife knew one of the curators who gave us special access, so this is one of the only photographs in existence of this particular crystal skull.  The red on the eyes, nose and mouth, is Cinnabar, a mercury compound used by the ancients for mystical purposes.  Since there's no backlight, I'm not sure why it glows.
"Yeah, there's a very special Crystal Skull at the museum in Guatemala City.  It might be hundreds of millions of years old, maybe billions, or even trillions.  No one is sure.  It told my wife that if enough people toast against the end of the world with very good whiskey, it might not happen.  It's eyes glowed red, and it told her. It told her in Spanish."

"Are you sure!" Dub was aghast.

"I photographed it as it was telling her how to prevent the end of the world."  I went to my files and pulled out a print of the Crystal Skull and handed it to him.

"It's real, he said, looking intently at the photo, "it's real. That means we can do something about the end  of the world!"

"That's right," I said.

"Okay!," he was almost yelling.  "I'm going out to buy a case right now. Call all our friends.  We're going to do some  toasting!"

"That's great," I smiled.  "I'll call some of  my buddies, you call some of yours. We'll meet here for a toast in an hour."

"That's great," he vocalized almost at the top of  his lungs. "Maybe the world's not goin' to end."  Then he paused with a puzzled look on this face

"What is it, Dubs?"

"You know, I don't want to sound like a kill-joy, but if the world doesn't end, I'm going to have to pay the credit card bill for all that whiskey, aren't I?"

I looked down in sympathy.  "You're right, Dubs.  The skull said it might be a problem.  Maybe it's better that the world just ends to make way for the more advanced beings."  I almost sniffled.

Dubs' again looked like a deer caught in headlights.  "Wait a minute," he said.  "Make those calls.  I'm off to the liquor store."

"Good call, Dubs," I said.  "The skull knows how to throw a party."

"Wow," he exclaimed as he went  out the door, "maybe you won't have to take that picture of me as the world ends, after all.  Maybe you can take a picture of me drinking against the end of the world!"

"Sounds good to me," I said.  "Just go out and get those cases of 18 year-old single malt before it's to late!"

You can view my website at www.tombellart.com.

Wednesday, November 28, 2012

Dubs and the Crystal Skull

I photographed this Crystal Skull in the  Popol Vuh Museum in Guatemala City.  My wife knew one of the curators who gave us special access, so this is one of the only photographs in existence of this particular crystal skull.  The red on the eyes, nose and mouth, is Cinnabar, a mercury compound used by the ancients for mystical purposes.  Since there's no backlight, I'm not sure why it glows.

I told you about my friend, Dubs McClusky in my last post.  He's my whiskey drinkin' buddy who's convinced the world's going to end on December 21.

I shouldn't have played with his  mind like I did.  But,  I saw it as a way that he might partially reimburse me for some of the many bottles of 15 year-old single malt he's more than helped finish while sitting with me at the table over the years.  Unfortunately, after about a week, I'm still waiting on the cases of 18 year-old stock I thought he might deliver.

If you don't know what I'm talking about to this point, go back to my last blog entry and read:  The Mayan End of the World:  The Perfect Subject for Photography and a Drink.  It will open in a new window. Then come back and you'll get the rest of the story.

Dubs stopped by again just a few minutes ago.  "Hey, let's have a drink," he said.  "I want to ask you some more questions about that Mayan prophesy stuff."

"Okay," I said softly.  "Let's talk.  But I'm out of whiskey.  I just haven't had time to stop by the liquor store."

He stared at me and squinted for a while. "You know, Tom. I don't recall ever stopping by when you didn't have whiskey.  But, right now, I'd drink about anything."  His look was almost deathly.

"Something wrong, Dubs?"

"No, not really. I know your wife knows about this Mayan end-of-world stuff and all.  She has a real pretty voice when she speaks that Spanish.  But maybe she's wrong about it being the end of the world."

"She's never been wrong before, Dubs."

He looked at me seriously.

"Never," I intoned. 

He hesitated.  "Yeah, I know."

"You know, I've got a bottle of 12 year old rum," I offered. "It's one of the most most popular in Guatemala, and it's the Baktun edition."

"Back-toon," he said in an accent that made him sound southern. "Is that something like the rerun of a cartoon?"

"Well, sort of," I offered. "In this case, a Baktun is a Mayan period of time.  We're on the last one.  It ends on December 21.  That's the last day."

"A period of  time?"

"Yeah, it's about 400 years long.

I opened the bottle of rum and poured each of  us  a snifter.

"Hey, this is good," he said.  "A toast to the Back-toon!"

I lifted my glass.  "Yeah, drinking to it only ensures that it's gonna happen.  That's cosmic law."

"Huh..."

"Yeah, the end of the world.  It's okay. We've lived a long time.  It's time for creatures from some other universe to occupy our space!"

"What!"  He downed every drop in his snifter, and I quickly poured him another one.

"Sorry, Dubs," I apologized, "but it's time on this Earth for creatures that will appreciate 18 year-old Scotch, those that are more spiritually developed."

"What... I appreciate 18 year-old spirits.  I appreciate them a lot!"

"I know, Dubs, but I suggested you bring over a couple of cases, especially since it's the end of the world and you won't have to pay the credit card bill.  You  haven't done a thing!"

His eyebrows shot up.  "Why?  So we can toast to the end of the world again and again?"

"Yeah, but you can also toast against the end of the  world."

"Huh..."

"That's right.  That's what the Crystal Skull told my wife."

"The Crystal Skull?..."

"Yeah, there's a very special Crystal Skull at the museum in Guatemala City.  It might be hundreds of millions of years old, maybe billions, or even trillions.  No one is sure.  It told my wife that if enough people toast against the end of the world with very good whiskey, it might not happen.  It's eyes glowed red, and it told her. It told her in Spanish."

"Are you sure!" Dub was aghast.

"I photographed it as it was telling her how to prevent the end of the world."  I went to my files and pulled out a print of the Crystal Skull and handed it to him.

"It's real, he said, looking intently at the photo, "it's real. That means we can do something about the end  of the world!"

"That's right," I said.

"Okay!," he was almost yelling.  "I'm going out to buy a case right now. Call all our friends.  We're going to do some  toasting!"

"That's great," I smiled.  "I'll call some of  my buddies, you call some of yours. We'll meet here for a toast in an hour."

"That's great," he vocalized almost at the top of  his lungs. "Maybe the world's not goin' to end."  Then he paused with a puzzled look on this face

"What is it, Dubs?"

"You know, I don't want to sound like a kill-joy, but if the world doesn't end, I'm going to have to pay the credit card bill for all that whiskey, aren't I?"

I looked down in sympathy.  "You're right, Dubs.  The skull said it might be a problem.  Maybe it's better that the world just ends to make way for the more advanced beings."  I almost sniffled.

Dubs' again looked like a deer caught in headlights.  "Wait a minute," he said.  "Make those calls.  I'm off to the liquor store."

"Good call, Dubs," I said.  "The skull knows how to throw a party."

"Wow," he exclaimed as he went  out the door, "maybe you won't have to take that picture of me as the world ends, after all.  Maybe you can take a picture of me drinking against the end of the world!"

"Sounds good to me," I said.  "Just go out and get those cases of 18 year-old single malt before it's to late!"

You can view my website at www.tombellart.com.

Wednesday, November 21, 2012

The Mayan End of the World: The Perfect Subject for Photography and a Drink

My best friend, Dubs McClusky was at the house the other day.  Dubs is really more than a friend: he's a confidant, someone I can trust with my darkest secrets (he thinks a dark secret is one you tell at night); he's someone who will keep refilling his glass with my most expensive single malt whiskey without feeling the need to ask for permission about something so trifling.  I've known Dubs for more than twenty years, and if nothing else he's consistent (especially with my single malt).  Not being a photographer himself, he always tries to say something nice about my work, despite the fact that there's not an artistic bone in his body.

"I love your pictures, but they would look so much better in color.  You know, color pictures are just so much more colorful."

 
Worshiping the Maximon by Tom Bell.  Copyright 2012.  All rights reserved.  The Maximon embodies Mayan mysticism.  By the way, this one's in color for Dubs.



"It's a matter of preference, Dubs.  Some people really love black and white images."

"I know, but they stopped making movies in black and white because people like 'em in color more."  He poured another glass and looked silently pass me for far too long.

"Something wrong, Dubs?"

"I'm worried, Tom," he lamented.  "They're saying the end of the world's only a month away."  He took a big gulp and stared deeply into his glass. "You know about that Mayan end-of-the-world stuff, don't you?  I mean your wife is from Guatemala and speaks Spanish and stuff."

"Right, Dubs.  I also have some friends who are archaeologists.  They say there's nothing to worry about."

I saw a glimmer of hope in Dubs' eyes.  "You know I saw a Three Stooges where the guys were archaeologists.  They found Rootin' Tootin's mummy."  He smiled deeply as his thoughts went back to the movie short of long ago.

"That was in black and white, by the way," I noted.

Magic by Tom Bell.  Copyright 2012.  All rights reserved.  


He nodded, as if I had revealed something important, then he was lost again. "The world can't end before Christmas.  What about the presents!  This Mayan stuff is serious business!  By the way, there's just a little left in the bottle; you don't want any do you?"

I picked up the bottle and poured the rest into his glass.

"You should keep this 15 year old Scotch all the time," he noted.  "Its really good."

"I bet."

"But what if it really is the end of the world?  What then!"

"Well, Dubs, I'm really looking forward to it.  If it's really the end of the world, it's the best event a photographer could hope for."

"What do you mean?"  The confusion on his face intensified.

"Can you imagine having something like that to photograph?," I asked.  "Every photographer in the world will be looking for the best angle, that fine art shot that defines the moment!  It's going to be something great!"

"Huh?"

"Mine will be in black and white!"

"But you said those archaeologists say there's nothing to it."  Dubs was almost in tears.

"What do they know?" I said.

"Really?  But.... you said...."

"I know what I said.  But this is it, Dubs.  My wife told me not to tell you.  But this is it..."

His eyes were huge. "Noooo.  You're just playin' with me aren't you."

"Sorry, Dubs."

Silence.  Dropped jaw. Owl eyes.

"Listen, Dubs, if I were you, I'd enjoy it since there's nothing we can do. Why don't you buy a case of this single malt. Make it a couple of cases and you'll get a discount.  Since you won't have to pay it back, use your credit card and buy a  couple of cases of the 18 year old stock.  I can store it and we can drink to the end of the world anytime you want.  We'll show those archaeologists!"

His mouth was still agape.

I wasn't sure if I should slap him slightly, but I decided to speak instead.  "It's okay, Dubs.  I promise that the last photograph I take as the world ends will be of you."

"Okay," he said after a while. He hesitated, "...but would it be okay if you did it in color?"

You can view my website at: www.tombellart.com.

Monday, November 19, 2012

Beanie Santa Turns Ten: The Back Story

Ten years ago I played around with Photoshop as much as I do today.  One project that I took on for fun during the Christmas holiday of 2002 was a painting of a beanie Santa seated in an antique child's rocker in front of the Christmas tree. It's turned out to be my most popular holiday-themed artwork.

Most of you know me for my black and white fine art photographs, especially those of Mayan Indians in Guatemala.  I've also done award-winning landscapes, animal photographs, and lots of other genres. However, I love to make Photoshop work for me in whatever endeavor I choose.  It would have been easy enough just to position the doll in the chair and snap a photo.  But I wanted more -- a painting!

Beanie Santa by Tom Bell.  Copyright 2002.  All rights reserved.

Many of you know that when I'm not doing fine art photography, I use my camera, Photoshop, and Corel Painter to create digital images that are more akin to paintings than photographs.  Back in 2002, I was using only Photoshop, version 7, I believe.

This image came about because I'd been looking for a way to do something creative with my Dad's old chair.  It's a child's rocking chair that my Grandfather had made for my Dad in around 1922 or 1923.  My dad kept the chair, then passed it on to me for my son.  Over the years, the rocker had broken one of the runners, and the woven seat came apart.  My dad patiently rebuilt a runner, and then using bailing rope rewove the chair's seat.  I assure you that with it's age and wear, it has much more character than it ever did in the roaring 20's.

My wife had acquired a Beanie Baby Santa.  When I seated him in the chair in front of the Christmas tree, my idea for holiday decor was transformed into the ideas for a painting.  My mission was to bring out the warmth of the seating and the texture of the wood. I even wanted you to get a feel for Santa's wooly red costume.  I rearranged some of the decorations on the tree.  The red star to the left of Santa was a must to add some balance, and the gold reindeer to his right brought out the balance on the other side. I used available light, with some daylight coming in from a window on the right because I didn't want the image to feel artificial.

In Photoshop, I added some brush strokes with filters, but the thing that really made it pop was I rendered a lighting effect while adding texture.  With some final color adjustments, I was able to bring out the golden warmth of the seating and the rich red of the chair.  It's cropped as it is because you don't need to see more to get the whole story.

This image (along with many more painting and my fine art photography) is available on my website at:  tombellart.com.  You can use this code: YKJYTT  for a $10 discount on purchases of $50 or more through the end of the year.

For those of you who might like to try a similar project, I'd be interested in your results.  If you'll send me your best efforts, I'll post my favorites in a future blog entry.


Thursday, November 8, 2012

The Back Story of the Mayan Beauty

I've probably received more attention from my award-winning image Mayan Beauty than any other.  I'm often asked if she was modeling for me, or how I got her to pose.

The Mayan Beauty by Tom Bell
The truth is that she was a total stranger.  I don't think I ever spoke to her other than maybe to say, "hello."  If not for a broken-down car, this image would have been lost.

It was the end of July in 1995.  My wife and I live in Illinois.  However, my wife is from Guatemala and taught Spanish classes in Guatemala for an American university during the summer.  I accompanied her and some of her students on a field trip to the highland lake towns of Panajachel and Santiago Atitlán.  I shot numerous images on the trip, among them, another of my well-know and award winning photographs The Chicken Bus; I also came back with an image of a Mayan man praying and making offerings of candles, rum and cigars to the mysterious idol/saint/god Maximón (pronunced "maa-shee-MOHn").

The Chicken Bus.  Panajachel, Guatemala.



Worshipping the Maximón.  Saintago Atitlán
After several days of sight-seeing, good meals and cultural experiences with my wife's students, we headed back for Antigua, the best preserved Spanish colonial city in the Americas.  However, right out of town, we stopped the van to view a waterfall that overlooked the lake.  An old Nissan car was stopped near where we parked the van. The hood was raised. The Mayan Beauty, another couple of women and some children, all in traditional colorful Indian dress stood nearby.  My wife's students saw it as an opportunity to practice their Spanish.

A Mayan Indian girl, presumably the daughter of the Mayan Beauty.
Initially, I started to photograph the encounter merely to document the trip.  My first photos were wide shots showing the students in animated conversation with the Indian lady. One of the students was also taking photos with her point-and-shoot camer. As I walked closer, I noticed the woman's gestures, the way she held her hands and head as she spoke and paitently listened to my wife's students.  I nodded and said "hello" as I approached, but didn't interupt the conversation.  I did however frame several of the shots as a portrait of the woman.  She was well aware that I was taking photographs, but never really paid attention to me.  It was obvious that she was pleased that we had taken such an interest in her.

Another view of the Mayan Beauty.
She explained to our group that the vehicle had overheated and the men in the car had gotten a ride back into town to get a replacement fan belt.  They would be back soon and the group would be on their way.

Normally, I'm sorry for any person's misfoutune.  However, if a fan belt had to break, I couldn't be more pleased that it broke when and where it did.  My wife gave the woman the name Mayan Beauty after seeing the photographs.

You can view the Mayan Beauty and my other images at my fine art photography website: www.tombellart.com.



Thursday, October 25, 2012

Exhibition Reminder - Opens Saturday Night

This is a reminder with information from my previous blog entry:

My photo Lady of Antigua will be one of 38 featured photographs by 36 different artist to be exhibited at the Mitchell Museum in Mt. Vernon, Illinois at part of the 2012 Shrode Photography Competition.  The judge of the competition is well-known photographer, writer, and educator William Sawalich.

Lady of Antigua




If you're in the area, here's the information for the show:

The top award winners will be announced at the Opening Reception, Saturday, October 27, 2012, 5:30-8:30 p.m. Everyone is invited to attend! Cedarhurst members are admitted for free, non-members $5 admission. Exhibiting photographers will receive free admission plus one additional ticket for their spouse or friend. Tickets will arrive in the mail in the following weeks. The evening will begin with a live glass blowing demonstration outside the Mitchell Museum by students and faculty from SIU-C! This special event is in conjunction with the opening of The Joy Thorton-Walter and John Walter Collection of Contemporary Glass Art in the Main Gallery at Cedarhurst. The photography awards will be announced in the Mitchell Museum at 7:00 p.m. We will gather at the Shrode Art Center shortly thereafter to present the checks and certificates. Complimentary hor’devours are provided; alcoholic beverages are available for purchase.

You might also be interested in Mr. Sawalich's judge's statement:


JUDGE’S STATEMENT
FOR SHRODE ART CENTER PHOTOGRAPHY COMPETITION
BY WILLIAM SAWALICH

Great photographs frequently make the common appear uncommon, and that is certainly the case with my selections for this exhibition. I’m especially drawn to simplicity, graphic strength, and a clear, concise visual statement. But I’m also particularly drawn to photographs that are uniquely about the medium itself; motion blurs, time lapses, patterns of light and shadow… compositions that are inherently “photographic” in nature are sure to impress me.

This also means that I give preference to images that are primarily made “in camera” rather than via a peculiar post-processing effect. That said, clicking the shutter is only part of the challenge, and good post-production refinements—processing, retouching, contrast, color correction—are integral to a photograph’s success. When these simple technical elements come together with a strong composition, at the perfect moment and with just the right light, it’s the perfect storm that creates a tremendous photograph. Add to that a bit of artistic vision and the results become truly special.  

Because of the democratization of photography (easy access to improved tools has spawned tremendous growth in the medium) it’s no longer enough to simply create a technically correct photograph. To stand out in the sea of images we encounter every day, aesthetics, composition and vision matter more than ever. And with so many great photographs in the world—and in the entries to this competition—technical perfection becomes a relative baseline.

In the end, I found the photographs that elicited my strongest response drew some connection—intentional or not—to the masters of the medium. Whether it’s the cinematic drama of Gregory Crewdson, the documentary portraiture of Steve McCurry, or the simple beauty of an Aaron Siskind abstraction, the standout photographs in this exhibition are directly connected to the larger history of photography. These photographers are clearly working deliberately, and their photographs are exciting, inspiring and simply very well done. 

 # # #

 You can view my website at:  http://www.tombellart.com