Men in Traditional Clothing of Santiago Atitlán

In my last post, I mentioned that men still dress in traditional clothing in the lakeside village of Santiago Atitlán, Guatemala.  I'll have more photos like these coming in the upcoming days and weeks.

Two men quietly watch market activities in Santiago Atitlán, Guatemala.

I think this one also works well in color.

You can view my photography website at www.tombellart.com.

The Vendor Children

It is unfortunate that children everywhere do not always enjoy the opportunities of a good education and a secure environment where they can simply be children.

In Guatemala, public schools are sub-par, and Mayan Indian families often rely on the labor of children to help them get by.  Rather than sending them to the classroom, it is not unusual to see children, often very young, selling handmade goods and souvenirs on the street, especially in locations that cater to tourists.  Girls will usually be in their finest traditional Indian clothing.  They will approach whoever passes by and hone their sales skills on the street.

Young girls in Antigua, Guatemala become vendors at an early age.  You can click on photographs for a larger view.

Mayan children at a rural school in Chimaltenango.

A vendor on the steps of the Cathedral in Chichicastenango.

You can view my photography website at: www.tombellart.com.

Children are the Missing Element...

Often, I'm at a photogenic spot -- a historic building or scenic location.  I point the camera and get a stunning photograph -- but upon further inspection, something is missing.  Maybe the missing element is children.  Below are some examples of the child or children making the photograph.

This is a very scenic location in the central plaza of Salamanca.  It needed children to make it interesting.

This dramatic photo of the Arch of Santa Catalina in Antigua, Guatemala works because of the young soccer player in the foreground.

Children were jumping like crazy for the bubbles from this street performer in Bologna, Italy.

These active children were perfect subjects for a photo in a León, Spain park.

The accordion playing street performer was a good subject for a photography, but the little girl makes it a human interest story.

You can view my website at:  www.tombellart.com.

Dubs and the Last Day

If you haven't been following, this is the fourth and final post about my gullible, Mayan apocalypse-fearing, whiskey-guzzling  friend, Dubs McClusky.  If you want to understand this post I strongly suggest that you read the first three parts first.  Parts one and two have been combined and can be found here. You can read part 3 here.

- - -

He  was back, looking spiffier than I'd ever seen him.  He had really cleaned up.  None of his clothes had stains, and it looked as if he might have attempted to iron his shirt.  He really wanted to look good for the last day of the  world.

"Wow, Dubs," you really look good.

Smoke on the steps of the cathedral in Chichicastenango, Guatemala are part of mystical Mayan magic.

"Yeah, thanks.  Well, I just thought I should... just in case... you know.  It's the big day and we're still here, so I guess I got here in time.  And you've got your camera.  That's good."  He looked around. "Where's Maria?"

"She's out, Dubs.  She'll be back in a while."

"I hope she's not too late.  I wanted to spend my last minutes with both of you, you  know."

"She shouldn't be too long, Dubs."  The truth is that I had told her of my elaborate plan to make the end of  the world really exciting for Dubs, and she wanted to have nothing to do with it.  She told me she would be back after my cruel joke was over.

A couple of days earlier, I had talked with my buddy, Rob Coleman, the news director and well-known anchorman at one of the local television stations. We had gone to college together in the radio and tv program, and both of  us had worked together at the same station for awhile.  He agreed to help me  produce a newscast just for Dubs, which we would record immediately after the 10 p.m. news on Wednesday night and play for Dubs on the world's last day, as if were happening live.  I had written the script for Rob, and also produced some graphics for the video production.  Rob even agreed to send a news truck to my house at just the right time if it wasn't too busy of a news day.  

"Well, Dubs, it's a little early to be drinking, but this might be the end of the world, so why don't you go to the bar and get that last bottle of 18 year old Scotch,  and we can drink against the end of  the  world again."

"Okay," he said.

"And I think the local TV station is supposed to be doing coverage of  the end of the world.  I'll turn it on and see if anything is happening."

"Okay," he said, as he started to the bar.

As he was gone, I turned on the TV and inserted the DVD that I had recorded.  I turned the sound on the TV loud and clicked play just as Dub appeared at the doorway with two big tumblers of whiskey.

Rob Coleman was at the anchor desk, looking just like he does every weekday night at ten.  Now, though, his face seemed filled with worry.  "...and this really does seem to be the end of the world, just as the Mayas predicted," his voice echoed over my surround sound speakers.  "Cities across the world seem just to be disintegrating..."

"Noooo..." screamed Dubs. 

"Tokyo, Rome, London, now gone," intoned the newsman, somberly.  "Other places across the globe crumbling...."  He then paused for a second as if something even bigger had happened.  " I don't know if our viewers are feeling this," he said, "but here in the studio, we're  feeling a shaking, sort of like you might feel with an earthquake..."

At that moment, I quietly hit a foot pedal switch that controlled a small electric motor I had put under the sofa.  I had placed an off-center flywheel on the motor and attached it to a leg of the sofa, so vibrations would be carried to the seats.

"This is it," screamed Dubs.  "This is it!"

The news anchor continued, "We're told that a mysterious crystal skull in Guatemala, Central America, has been speaking in Spanish to news people there and said that the end of the world could have been avoided by a simple sincere toast against the end of the  world.  And we're told that the one man in the world who could have made that toast lives right here in our own hometown....  Okay,  this just in Paris, France, now gone along with Moscow, Berlin, and Geneva.

A museum curator holds the mysterious Crystal Skull.

I hit the foot pedal again, and the sofa moved again. 

"Those vibrations in  the studio getting stronger now," said Rob Coleman.  "As I way saying earlier, I seems that a local man named Doobes McCloosky may be responsible for the end of  the world.  We have a remote truck out now to interview Mr. McCloosky if we can find him in time, to get his side of the story."

"Noooo... nooooo...nooooo," Dubs was in tears.  "Against the end of the world," he yelled and took a gulp of whiskey.  "A most sincere toast," he screamed, "against the end of the world."

Just then there was a knock at my door.  I got up to answer it.

At the door stood newswoman Sandra Boskey, and a man with a TV camera on his shoulder.  The  light on top of the camera was bright in my face.  

Sandra Boskey with Action Witness News she yelled while holding out a microphone.

I moved aside and let her in.

"Are you Doobes McCloosky?" she asked.

"No, he is," I pointed.

Dubs was in a panic, just screaming, "Against the end of  the world."  He would then take another  drink, the repeat the process.

Rob Coleman continued speaking on  TV.  "Apparently the skull is saying that there's still time for the end of the world to be averted --- yes, this sounds wild --- but that one sincere toast against the end of the world by this Mr. McCloosky would create a time warp, and none of this would have ever happened...."

"Put down the camera, put down the the microphone," Dubs insisted.  "I promise, I'll give you an interview, but first we're all going to toast against the end of the world."  He quickly filled two more glasses and handed them to the news crew.  

Dubs was calm now.  "Gather 'round,"  he said, "everyone sips when I do,  Raise your glasses and repeat after me"....

"Probably not long left now," said the anchorman.

With all the glasses raised, Dubs said, "to the skull, and most sincerely against the end of the world."

Everyone took a sip as Dubs gulped down a big measure.

Apparently I had timed everything well.  The TV screen went blank with static for a moment.  Then Rob Coleman was back, looking cheerful and relaxed.  "It appears the Mayan apocalypse is just another doomsday story," said the anchorman.  We'll all be telling our children about waiting for the end of the world on a day that turned out to be like any other day...."

"Well, thanks for inviting us in for a whiskey," said Sandra Boskey, "but I can't really remember why we're here."

"Funny, me neither," said the news cameraman.  "And thanks for the drink, but we probably shouldn't be drinking while on the job."

"It worked," Dubs said in disbelief.  "I saved the world.  I saved the world with a sincere toast to the skull."

"What are you talking about, Dubs?" I asked.  "I mean you didn't really think the end  of the world was here did you.?"

"Huh?," he said, "you don't remember, either...  And Paris, and Rome and London are all still there?"

I switched off  the TV because it was reaching the end of the production.  "What do you mean, Dubs?  Why wouldn't they still be there?"

Just then my wife came back in the door.

"I saved the world, Maria.  I really did!  I really did!"   Dubs looked intently at her.

Maria looked at me and said, "You're mean!"  She then walked away.

" Why's she upset?" asked Dubs. He then smiled. "Take a picture of me Tom," he said.  "I'm the only one who will know why, but we have to document this moment."

I lifted my camera and photographed Dubs standing proudly with the glass of Scotch in hand, as if he were making a most sincere toast.

You can view my website at:  tombellart.com.

The Back Story of the Mayan Beauty

I've probably received more attention from my award-winning image Mayan Beauty than any other.  I'm often asked if she was modeling for me, or how I got her to pose.

The Mayan Beauty by Tom Bell

The truth is that she was a total stranger.  I don't think I ever spoke to her other than maybe to say, "hello."  If not for a broken-down car, this image would have been lost.

It was the end of July in 1995.  My wife and I live in Illinois.  However, my wife is from Guatemala and taught Spanish classes in Guatemala for an American university during the summer.  I accompanied her and some of her students on a field trip to the highland lake towns of Panajachel and Santiago Atitlán.  I shot numerous images on the trip, among them, another of my well-know and award winning photographs The Chicken Bus; I also came back with an image of a Mayan man praying and making offerings of candles, rum and cigars to the mysterious idol/saint/god Maximón (pronunced "maa-shee-MOHn").

The Chicken Bus.  Panajachel, Guatemala.

Worshipping the Maximón.  Saintago Atitlán

After several days of sight-seeing, good meals and cultural experiences with my wife's students, we headed back for Antigua, the best preserved Spanish colonial city in the Americas.  However, right out of town, we stopped the van to view a waterfall that overlooked the lake.  An old Nissan car was stopped near where we parked the van. The hood was raised. The Mayan Beauty, another couple of women and some children, all in traditional colorful Indian dress stood nearby.  My wife's students saw it as an opportunity to practice their Spanish.

A Mayan Indian girl, presumably the daughter of the Mayan Beauty.

Initially, I started to photograph the encounter merely to document the trip.  My first photos were wide shots showing the students in animated conversation with the Indian lady. One of the students was also taking photos with her point-and-shoot camer. As I walked closer, I noticed the woman's gestures, the way she held her hands and head as she spoke and paitently listened to my wife's students.  I nodded and said "hello" as I approached, but didn't interupt the conversation.  I did however frame several of the shots as a portrait of the woman.  She was well aware that I was taking photographs, but never really paid attention to me.  It was obvious that she was pleased that we had taken such an interest in her.

Another view of the Mayan Beauty.

She explained to our group that the vehicle had overheated and the men in the car had gotten a ride back into town to get a replacement fan belt.  They would be back soon and the group would be on their way.

Normally, I'm sorry for any person's misfoutune.  However, if a fan belt had to break, I couldn't be more pleased that it broke when and where it did.  My wife gave the woman the name Mayan Beauty after seeing the photographs.

You can view the Mayan Beauty and my other images at my fine art photography website: www.tombellart.com.

Another Exhibition

My photo Lady of Antigua will be one of 38 featured photographs by 36 different artist to be exhibited at the Mitchell Museum in Mt. Vernon, Illinois at part of the 2012 Shrode Photography Competition.  The judge of the competition is well-known photographer, writer, and educator William Sawalich.

Lady of Antigua.  Click for a larger image. 
This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivs 3.0 Unported License.

If you're in the area, here's the information for the show:

The top award winners will be announced at the Opening Reception, Saturday, October 27, 2012, 5:30-8:30 p.m. Everyone is invited to attend! Cedarhurst members are admitted for free, non-members $5 admission. Exhibiting photographers will receive free admission plus one additional ticket for their spouse or friend. Tickets will arrive in the mail in the following weeks. The evening will begin with a live glass blowing demonstration outside the Mitchell Museum by students and faculty from SIU-C! This special event is in conjunction with the opening of The Joy Thorton-Walter and John Walter Collection of Contemporary Glass Art in the Main Gallery at Cedarhurst. The photography awards will be announced in the Mitchell Museum at 7:00 p.m. We will gather at the Shrode Art Center shortly thereafter to present the checks and certificates. Complimentary hor’devours are provided; alcoholic beverages are available for purchase.

You might also be interested in Mr. Sawalich's judge's statement:

JUDGE’S STATEMENT

FOR SHRODE ART CENTER PHOTOGRAPHY COMPETITION

BY WILLIAM SAWALICH

Great photographs frequently make the common appear uncommon, and that is certainly the case with my selections for this exhibition. I’m especially drawn to simplicity, graphic strength, and a clear, concise visual statement. But I’m also particularly drawn to photographs that are uniquely about the medium itself; motion blurs, time lapses, patterns of light and shadow… compositions that are inherently “photographic” in nature are sure to impress me.

This also means that I give preference to images that are primarily made “in camera” rather than via a peculiar post-processing effect. That said, clicking the shutter is only part of the challenge, and good post-production refinements—processing, retouching, contrast, color correction—are integral to a photograph’s success. When these simple technical elements come together with a strong composition, at the perfect moment and with just the right light, it’s the perfect storm that creates a tremendous photograph. Add to that a bit of artistic vision and the results become truly special.  

Because of the democratization of photography (easy access to improved tools has spawned tremendous growth in the medium) it’s no longer enough to simply create a technically correct photograph. To stand out in the sea of images we encounter every day, aesthetics, composition and vision matter more than ever. And with so many great photographs in the world—and in the entries to this competition—technical perfection becomes a relative baseline.

In the end, I found the photographs that elicited my strongest response drew some connection—intentional or not—to the masters of the medium. Whether it’s the cinematic drama of Gregory Crewdson, the documentary portraiture of Steve McCurry, or the simple beauty of an Aaron Siskind abstraction, the standout photographs in this exhibition are directly connected to the larger history of photography. These photographers are clearly working deliberately, and their photographs are exciting, inspiring and simply very well done. 

 # # #

 You can view my website at:  http://www.tombellart.com

From my Website to Bauhaus and Back!

Last week, I totally redesigned my website.  The idea was to provide an attractive, user-friendly gallery.  The site skipped the homepage altogether and went directly to the gallery.

My original homepage design is back!

After multiple questions about what happened to my old homepage, it's back!  The gallery is still new and far more user-friendly than the previous one, but the classic look of the original homepage is back.  I agree with the complainers:  the old homepage still works best as a gateway to the new gallery.

Let me know what you think.

http://www.tombellart.com/

From My Website to Bauhaus

I'll keep this post short.

I've totally redesigned my website. 

Please check it out and let me know what you think.

My website is at: http://www.tombellart.com 

Painting a Pacific Sunset

I didn't do a great deal of fine art photography on our vacation to Guatemala over the Christmas break.  We spent about six day between the holidays on the Pacific coast, where most of my photos were of family,  ocean sunsets, and relaxing around the pool.  However, some of the photos, especially the sunsets were spectacular.  I decided to have a go at painting some of the sunsets:

My son with some of his cousins on the black sand beach.  Click on the image for greater detail.

Pacific coast after sunset.  The black sand is volcanic.  Click on the image for greater detail.

 I just goes to show that you should bring your camera even when photography isn't the primary objective.  These paintings should look great on canvas!

If you're in to mysteries and the amazing, you might enjoy the previous entry from my blog:
Mystery of the Miracle Frisbee, an event that took place on the very beaches you see above during our vacation.

You can view my website at:  www.tombellart.com.

Hope for Tomorrow

I am donating a couple of photographs and a couple of my paintings for a very important, very special event.  They will be auctioned to help children.

One of the photographs you can bid on. (16X20).  Signed by the artist.

 One of my paintings (16X20)

On Sunday, October 16, an event to help Guatemalan orphans will be held in my area (Southern Illinois). The Hope for Tomorrow Children’s Home in Guatemala will hold a fundraiser at the Walker's Bluff Vineyard (Reed Station Rd.) between Noon and 6PM. If you’re already in the area, it will be worth the trip. If you live several hundred miles away, it would be a great excuse to visit Southern Illinois’ famous wine trail and beautiful vineyards. Don’t forget your camera gear. If you can come, I will see you there.

I can already tell you that my artwork is worth many thousands of dollars, maybe millions.  However, I'll bet that you can get it for a lot less, although I hope you'll bid as much as you can -- afterall, it's to help children who can really use your help.  A friend of mine, also a fine photographer and artist, Steve McLaughlin, is also donating one of his paintings. His artwork is worth billions.  I hope you'll believe all that I'm telling you because children are at stake. However, his artwork has truly inspired me, and if you get his painting, you'll be very lucky, indeed.

Please take a look at this article in The Southern Illinoian about the Hope for Tomorrow Children's Home.

If, however, you’re not able to attend, please consider a tax deductable donation to this very worthy cause. Also, consider sponsoring a child. Check out the Hope for Tomorrow Children’s Home website and you’ll understand the importance of the cause and also that this is a legitimate charity that will make a real difference in the lives of children. Information on helping can be found within the website.

You can view my website at: http://www.tombellart.com/.

2nd WPGA Black & White Awards

I was surprised to learn that I have received  First, Second, and Third place awards in the Worldwide Photographic Gala Awards (WPGA)  2nd Edition B&W Photography Awards.  Additionally, there was also a Special Mention of the Jury.

 Loyal readers of my blog will remember the very first photo I ever published on this blog back in November of 2009.  In my first entry Learning Photoshop and my Dog have a Lot in Common, I wrote a sort-of-true story about my dog, Mr. Watson. The photo posted along with it was the one that won first place in the category of Animals and Wildlife.  Upon seeing the photo, a professional photographer wrote to me: "I feel I can communicate with this animal from his portrait."  Needless to say, you can see the intelligence in his eyes.  For more on that, be sure to read the 2009 entry.


Mr. Watson.  First Place in Animals and Wildlife category

The other two winners are a landscape and a street scene I photographed several years ago in Slovakia.  I waited until last year to process the images as black & white photographs.

Old Bratislava Street.  Second Place in Cityscapes and Street Photography category.

Holy Cross Chapel Landscape.  Third place in Landscape category.

The Special Mention of the Jury was the Arch of Santa Catalina in Antigua, Guatemala.

Arch of Santa Catalina, Guatemala.  Special Mention of the Jury (Cityscapes).

Congratulations to all the winners.  You can see them here.

My website is at:  http://www.tombellart.com/.

WPGA Pollux Awards Announced

I was pleased to learn that my portfolio of Guatemala portraits won first place in the non-professional division of the Worldwide Photographic Gala Awards/Pollux Awards.

There were 18,912 entries from 65 countries.  Congratulations to all of the winners and honorable mentions.

The winners announcement can be seen at:  http://www.thegalaawards.net/announcements/2010-pollux-awards-awardees

You can view my website at:  http://www.tombellart.com/.

Children are the Best Photographic Subjects

Most of the time, I don't really want people staring into the lens of my camera.  With children, it doesn't really matter -- because you get an honest image that tells something about the subject.  My example is below:  Mayan Indian children at a rural school in Chimaltenango, Guatemala.  As school children, they are curious as school children should be.  Their curiosity is reflected in every face.  Who is this with a camera?  What is he doing at my school?  What is this all about?  Why is he taking our picture?

Click on the photo for a larger image.

I'm very pleased with the above photograph, not because it's technically a masterpiece or anywhere close -- but it tells a great story-- an after all, isn't that what photography is about?


You can view my website at:  http://www.tombellart.com/.

Portrait & People WPGA Awards Announced

I received word this morning that I'm a Gold Award winner in the Worldwide Photograhic Gala Awards Portrait & People competition.  I'm also a finalist in the Pollux Awards to be announced later in March.

Mayan Beauty



Congratulations to all the winners and participants!

You can view my website at:  http://www.tombellart.com/.

Boredom Can Save Images from Oblivion

It's 8 degrees Farenheit outdoors at my home in Illinois.  I'm off work because snow and ice have closed down the College where I work. 

It's really a perfect time to go through my archives of old photos that weren't good enough for me to take a second look at until I  got bored.  Sometimes, they're just not interesting in color, so I take the time to imagine them in black & white.  That's when I see the mistake I made in putting them aside in the first place.

Arch of Santa Catalina, Antigua, Guatemala

El Sitio, Antigua, Guatemala

Lily Pond, Antigua, Guatemala



The three images above sat on my hard drive for years before I took a serious look.  I'll be more careful before I put away images.

You can view my website at:  http://www.tombellart.com/.

Some of my more recent images are on my National Association of Photoshop Professionals (NAPP) portfolio:  http://www.photoshopuser.com/members/portfolios/view/gallery/1263242.

Photographs Are a Slice of Life

I shoot lots of photos. With each one, I try to tell a story.

The story is not always a long, detailed narrative. Usually, it’s a slice of life vignette. You see the photo, and in your mind you decide what it means. Mostly I shoot people portraits – the indigenous people of the Guatemalan highlands. Each photograph must convey a message. A caption under the photo may give you a broad understanding, but the frozen image must give you a deeper meaning. Hopefully, its made some sort of emotional impact.

Flower Woman in Chichicastenango, Guatemala

Tell a story with each photograph you shoot. Is it a slice of life? Does it make you want to know more? If so, you’re probably doing something right.

Woman in the Market, Chichicastenango, Guatemala

Take a look at my website:  www.tombellart.com.

What if the Afghan Girl Had Said "No"?

What if the Afghan girl had said "no"?

If she had said "no," the famed photo by Steve McCurry that appeared on the June 1985 cover of National Geographic would have been replaced by some other photograph, probably not as intriguing, probably not to be remembered.

Obviously,  the girl was looking straight into the lens.  By doing so, she became the subject of what is arguably the most famous photograph of modern times.

About 99 percent of the photographs I shoot are the people and places of Guatemala in Central America, a world away from Afghanistan, just as exotic, yet different in almost every way.

A Lady of Chichicastenango,Guatemala

The comments I receive from those viewing my photographs are often:  "How did you get her to act so natural?" or "He seems so at-ease."

Most of those I photograph never see me, nor at least never know I'm there.  I always take photos in the public spaces and draw as little attention to myself as possible.  For those who put their hand over their face to indicate they don't want to be photographed, I politely wave and turn away to respect their privacy.

Lady With a Bundle, Chichicastenango, Guatemala

The truth is, however, that candid photography cannot take place with the knowledge of the subject.  This is not to say that you can't take excellent photographs while the subject is looking into the camera.  The image of the Afghan girl is the perfect example of a knowledgable, probably curious subject.  The following example is one of a knowledgable subject.  The photograph works, but it wouldn't with every subject.

Girl on Cathedral Steps, Chichicastenango, Guatemala

This photo is of an unaware subject:

Textile Merchant, Chichicastenango, Guatemala

When I get to choose, I'll choose the subject who's unaware of my presence.  It ensures that I'm not just getting a pose; I'm telling a story.  Yes, it usually takes a long lens and some patience, but patience usually pays off. The biggest problem and the best part of shooting people is that they change expressions, they move, they are themselves when they don't know they're being watched. 

Girl at the Market, Almolonga, Guatemala

Mayan Beauty, Panajachel, Guatemala

Be creative.  Tell stories in a single frame.  Make people the subjects of your photographs.  Respect the rights of others.  Move other people with your photographs.

See my website at: http://www.tombellart.com/